randian | 燃点

Born 1982 Anhui province, lives and works in Beijing, co-founder of Second Floor Publishing. >> Read more

schlagen und bleiben is the first exhibition to focus solely on Jonas Burgert’s drawings as an independent body of work. Known predominantly for intensely coloured, lifesize figurative paintings, the exhibition places emphasis on the intricacy of the artist’s character studies in black and white. >> Read more

The new edition of Datumsoria further investigates the neologism, which conjugates datum and sensoria, >> Read more

The MdbK exhibition Displacements/Entortungen initiates a dialogue between the oeuvre of the two internationally renowned artists Ayşe Erkmen and Mona Hatoum in an unprecedented joint exhibition. >> Read more

The 1st prize winning essay by Su Wei, from the 1st edition of the International Awards for Art Criticism (IAAC). >> Read more

Perhaps the most misunderstood work at dOCUMENTA (13) was Yan Lei’s “Limited Art Project,” the reaction founded on preconceptions and prejudices about Chinese art – particularly painting – lazily assuming it merely riffs on Western clichés, that it is derivative and repetitive. >> Read more

Undetermined Tune: Li Lei Art Exhibition >> Read more

Simon Lee Gallery, London, is pleased to present En Plein Air, >> Read more

In April 2019, the Power Station of Art presents ‘The Challenging Souls’, >> Read more

In the process, you go somewhere and somelsewhere elastically, even a tiny bit. While inhabiting a ritual, one lives in and through time, via an odd interval sliced open and stitched back together. >> Read more